Aesthetic Cases

A curated insight into our work: every case shows how medical precision and aesthetic sensitivity come together. Zaritzki Cases are the result of individual analysis, clear planning and an execution that does not change the natural expression of the face, but refines it with precision.

before-and-after portrait of the patient, Zaritzki Fine Dentistry, Berlin

Veneer Correction. This time, she tested the result first.

The first time she truly saw her new veneers in her face, they had already been permanently fitted. No Test Drive. No chance to change shape, length or proportions beforehand. She was unhappy with the result, and this time she wanted to know what her smile would look like before anything was final.

Bite reconstruction after earlier orthodontic treatment: before-and-after portrait of the patient, Zaritzki Fine Dentistry, Berlin

Orthodontic treatment in adolescence. Corrected only decades later.

Her orthodontic treatment was completed in adolescence. The mistakes made back then still determined her tooth position and her bite. Decades later, the consequences were visible, and could be felt in how her bite functioned.

Full-mouth restoration with crowns: before-and-after portrait of the patient, Zaritzki Fine Dentistry, Berlin

Treated tooth by tooth for years. Until the whole no longer fitted together.

Over the years, more and more crowns, partial crowns and implant crowns had been added. Not in one major treatment, but the way it so often happens: tooth by tooth, whenever something needed doing. At some point, a great deal had been treated, but nothing had ever been planned as a whole. Aesthetically, functionally and medically, it showed.

Bite reconstruction after bruxism: before-and-after portrait of the patient, Zaritzki Fine Dentistry, Berlin

Aesthetic Cases

Veneer Correction. This time, she tested the result first.

Orthodontic treatment in adolescence. Corrected only decades later.

Treated tooth by tooth for years. Until the whole no longer fitted together.

Bruxism. When the bite sinks, the face sinks with it.

What bothered him was obvious at once. What mattered most was not.

The real art is a smile that looks like it was always there.